An identity crisis going on here. I am Ade Johnston, author of Scotched. I am also Adrian Johnston Bailey. As Ade Johnston I write to keep readers turning the page. As Adrian Bailey I shall reveal my literary pretensions to be ‘serious’.
So I’m working as Ade Johnston putting to bed a collection of short stories. Then I’m (Ade Johnston) going to have a go at crime fiction. For a crime novel, the formula is just that, more or less there already and well trodden by many writers. I have to start with plot structure, story, drama. The bad guys and the police team: a female Detective Inspector, a grouchy sergeant (who initially resents his new inspector, a job he had applied for) and two Detective Constables. Throw in an officious Superintendent boss, an Assistant Chief Constable who plays golf with society’s best, and the big bad media.
My ‘literary’ novel
Maybe as long as ten years ago, long before I thought about actually completing anything, an idea came along. It was one idea among thousands, many of which resulted in reams of paper, writing which periodically I would burn. I like to think the time wasn’t wasted, time for learning to write.
Anyway, this one idea has survived the test of time. It is going to be transformed into a novel. Plot and story here are of small interest only. Character depth and relationships centre around a university philosophy department (bags of laughs there!). Susan is 23 years old, a PhD student who does a little teaching. She’s had a year off for reasons revealed towards the middle of the novel, and returns to university near the start.
During her time at home with mother a step-father, her Aunt Julia is dying, and Susan visits her frequently. Julia, though, is otherwise something of a familial pariah on account of her transgressive life style and refusal to adhere to respectable propriety. The bond between her and Susan is unlikely on the surface; it is revealed as something deeper and not literally describable.
The novel opens on the day of Julia’s funeral at the gathering in Susan’s home. That day also is when Susan returns to university, taking with her a memory stick and several notebooks Julia has pressed upon her. The content of the memory stick and the contents of the notebooks will slant the novel to include an epistolary narrative.
I’ve got no narrative structure but am writing scenes as they occur to me. I’ll join the scenes with straight lines later for the story. Susan’s character feels more real each day, and several other characters are making themselves known. It’s growing like a tree with branches and leaves for texture, roots to tap into the mysterious source for what will hopefully become a ‘philosophical’ novel.